Trevor Nottle
is an Australian rose expert, author and lecturer.
What
can I tell you about roses that you don’t
already know? Perhaps not much, but maybe a few
things of
interest that you haven’t already come
across when travelling. I suspect that your experiences with roses, like mine
are coloured most strongly by what happens in our own gardens. We attain that
knowing familiarity that enables us to feel comfortable about growing roses
and enjoying the various pleasure offered by beautiful
flowers, refined perfumes,
bold fruits and handsome foliage. Faithfully served by ‘Iceberg’, ‘Sea
Foam’ and ‘White Flower Carpet’ we tend towards a certain
smugness that is set like concrete concerning ‘the’ roses to use
in our garden making. Fashion? Never!!! White roses are just what we have always
like. Or maybe
it is pink roses; or yellow or the post-Modem neon, fluorescent shades suited
to hard edged ‘jardins concrete’. We recognize the new arriviste
novelties, the passe has beens and the old favorites; each finding its place,
categorized and stored away in our memory banks.
Yet when we travel away from
our own countries we find, to our curious amazement, there are more roses
than we had ever contemplated —roses that we
have never heard of, roses that are mysteries to our
recollection. Roses as a family
take on a freshness that they never have back home when we journey in foreign
parts. In considerable excitement we hover over each previously unknown beauty.
I recall my first meeting with ‘Lady Ann Kidwell’ in a suburban
side street somewhere in LA; round and round the towering bush I went looking
at each
cluster of flowers and buds with keen appreciation. Here was a rose I really
needed Down Under. Have you not known such pangs of thorny want? How strong
the urge to smuggle just one little cutting across the border and through
Customs? I wish for it still.
So what would you expect to find in a country
where no roses are native,
where no roses were before the last years of the 18th century? Would you
find a rose
that could not be lived without; or Ah, yes you say, but Australia has
an Anglo-European culture; they speak English, spend
dollars, eat steaks and
hamburgers, drink
beer —surely their gardens must be like ours; they must have roses,
surely just the same as ours.
And so we do but our roses, the roses bred
in Australia, you might not recognize. The best roses raised here Down
Under have one or two significant
unique
features that have come about through the efforts of breeders who have
done some critical
environmental analysis before they set to work with tweezers, pollen
brush and tags.
The best roses have been selected for
habits of growth and flowering which are suited to
the warm dry climate. These are characterized by
masses of
informal, semi-double flowers carried on generous sized trusses that
are set off by dark,
leathery foliage that covers the bushes from top to bottom over strong
framework of branches. There are garden roses; roses able to carry
on blooming despite
drought and heatwave and scorching summer winds, roses that are meant
for the outdoors not the show bench. The best known Australian roses
have been
raised
by Mister Clark and Frank Reithmuller; one a wealthy gentleman of Leisure,
the
a migrant working man — each working alone and year apart, but
each having the sharpest insight into the kinds of rose that were needed
by Australian home
gardeners and each with a similar vision of rose beauty. Reithmuller
introduced few roses, no more than a handful but Clark gave away to nurserymen,
rose societies
and friends over one hundred and twenty varieties bred by his own hand — each
one of them assessed by his critical eye as meeting the requirements
of a good flowering shrub rose. Clark sent some of his roses overseas
to California and
the French Riviera where it was thought the climates were approximately
the same as that of southern Australia. As Rosa gigantea had been used
extensively by
Clark in his breeding lines the resultant plants tend to be cold tender
but perform magnificently in warm, frost free areas. Well received at
the time these rose
became ‘lost’ due to changes in fashion and the rush of ever
new novelties. Now, thanks to a few dedicated collectors in Australia
many have
been located in old and derelict gardens, re-identified and reintroduced,
some of
these varieties have also been exported to Canada and the USA. Some Australians
you might meet whilst catalogue cruising in the next few years are:
‘
Borderer’ (Clark, 1918) - a very compact, low growing Polyantha with
a long and prolific season of flowers. Fully double salmon pink, paler and
creamy
towards the center. Ideal for small hedges.
‘
Carabella’ (Reithmulle; 1960) - compact growth that is vigorous, very
large heads of small ;single flowers of soft pink, paler towards the center.
Makes
a refined, ever-blooming standard or a handsome shrub.
‘
Daydream’ (Clark, 1925) - waterlily-like blooms of pale pink, semi-double
but open form and golden stamens that set off to perfection the color of the
petals. Strong, adaptable growth that can be used to clothe a pillar or post,
or primed down to make a very attractive shrub.
‘
Jessie Clark’ (Clark, 1915) - strong Gigantea climber with one heavy flush
of glorious soft pink, single flowers in late spring, lovely planted with ‘Mine
Gregoire Stachelin’.
‘
Honeyflow’ (Reithmullei 1957) - Polyantha sized flower heads of very
pale pink and white flowers that go on and on for weeks. A splendid shrub or
a neat
standard. Very few prickles.
‘
Mrs Richard Turnbull’ (Clark, no date) - a very strong climber which clearly
shows its Gigantea blood. Huge single creamy yellow flowers in small clusters;
as good as ‘Mermaid’ but without such fierce armament. Best scrambling
up a large tree, tumbling over a steep embankment or over a high wall.
‘
Nancy Hayward’ (Clark, 1937) - strong Gigantea growth and one stunning
flowering in late spring, or earlier in winter if pruned in late summer —this
only in frost free areas. Cheerful, bold lipstick pink flowers that stand out
and command attention. Careful color planning needed but it can be a knockout
with greys and silvers.
‘
Squatter’s Dream’ (Clark, 1923) - spreading growth well clothed with
glossy green leaves bronzed with · red tones show off the single coppery
gold and cream flowers. Very few prickles and continuous bloom in warm areas.
A great Shrub.
‘
Sunlit’ (Clark, 1937) - very refined double flowers of soft apricot with
pink undertones. Acclaimed when it was first released in America. Compact growth
that bears masses of flowers over a long season.
‘
Titian’ (Reithmullei 1950) - a modest pillar rose or small climber. Prolific
soft red flowers, semidouble, high centered and well perfumed. The canes are
well hidden with dark green foliage and the extended flowering season make
this a very useful plant for a small garden where all round performance is
desired.
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